We’re off the mainstream comic book board today.

Really, we’re off that board in a number of ways.

It’s not like it’s something new for “comic book” writers and illustrators to adapt classic works of fiction and non-fiction into the form of sequential art. DC Comics published a visual history of the The Bible in 1975 by industry legends Sheldon Mayer and Joe Kubert. Robert Crumb adapted The Book of Genesis nearly a decade ago. And, of course, we’ve seen countless visual versions of much-loved novels by industry favourites such as Madeleine L’Engle’s A Wrinkle In Time by Hope Larson, Richard Stark’s Parker by Darwyn Cooke, Beowulf by Santiago Garcia and David Rubin, Paul Auster’s City of Glass by Paul Karasik and David Mazzucchelli, and the works of H.P. Lovecraft – by various creators in various publications.

These, of course, are just a few.

The interesting thing is that mainstream…